We get dressed, one leg at a time, and
she looks gorgeous. She's got this frilly dress on, I can't even
explain it, it's like nothing I've ever seen before. This is red
carpet material. I put on my black dockers and a black tee-shirt for
tonight I am an artist in the artist's world. Or at least I could
pretend to be. She wears a black dress with the frills on the
shoulder. That's the only thing I can explain with my mouth gaping at
her beauty. You ready? She asks and I shake my head. I got to brush
my teeth, then mouthwash, then hair. And she combs her hair gently.
She looks like Carly Simon and even though I may be vain most of the
time, I am honest in my opinions. After I brush my pearly whites and
gargle and fray my hair, we both look into the upright mirror. The
only mirror in the attic and we look marvelous. I grab a scarf and
it adds to the character of my magnificence and she puts a bow in her
hair. Patsy Cline and Leroy Brown, the main headline of an opening
cast of misfits and wanna-bees. We could be, though. That's the thing
about looking in the mirror. We are real, we could make it anywhere
in the world with just what we need. For me that would be coffee, for
her that would mean pot. That's all we needed. Coffee and pot and
hand in hand walking down the street. That's all we ever need and I
am thankful for that.
For the second time, I think about the girl I
met in Johannesburg, June 7, 2010 and I hold my breath and look into
the mirror and shes the new one. She's the one I want forever and
ever mine. And she looks at my eyes in the mirror and asks, is this
what you want tonight? And I shake my head YES!, fifteen times, as
she starts to giggle, you're such a silly, silly boy and I love it.
Off to the art gallery where we will fit in and belong and learn to
love one another. I think this is it. But a story like this never
ends with a positive position and I hide that little tidbit in the
back of my mind, how can I ruin this and I hide it in the back of my
mind, this can't be over before it has begun, I think in the back of
my mind. Then I think of her in Johannesburg, one second if there
ever was such a thing. One second of pain. Miss Cline says she'll
start the car and I'm left in the mirror in the attic all by myself,
looking at myself and I tell myself, looking myself in the eye.
DO
NOT FUCK THIS UP.
And I look down at my shoes and my scarf and smile.
I won't. But something will. Something in the cabin. Something we
haven't decoded yet. And I think of Panda Bear and her burn and
Cherub with her closed lips, and I wonder if they're alive. Thinking
the same thing I ever thought. Does love ever die? And in my mind I
see Panda Bear and an army knife. And I walk down the stairs and hop
in the car and Miss Cline asks are you okay?
And I say, peachy keen.
Peachy, keen...just shut your mouth and look good.
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